Live Performance

Moving Through by Kellie O'Dempsey


Photographer: Lois Lim | Performer: Marisa Georgiou

Photographer: Lois Lim | Performer: Marisa Georgiou

 

Moving Through
Performance at Flowstate | Brisbane, Australia
Saturday 27 October & Sunday 28 October 2018
Kellie O’Dempsey | Sound: Mick Dick | Performers: Saara Rappola & Marisa Georgiou
Produced by Metro Arts and South Bank Corporation 
Funded by Australia Council for the Arts

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Moving Through is a spirited, site-generated image and sound performance that imagines the intermediate space between this life and the next.

Performance installation artist Kellie O’Dempsey draws on a personal tale that reveals importance of ritual when dealing with death. Moving Through maps a guided journey of departure and brings the space to life using digital drawing and animated video projection with physical performers and sound.

Participate in a workshop where participants become creators in this multimedia exploration, or join in a discussion as O’Dempsey talks through her process of creating cinematic collage. Moving Through culminates in two stunning and visceral evening performances.

Links | Flowstate Event Page

Videographer: Thomas Oliver

 
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Credit | Videographer and Photographer: Thomas Oliver

 
 
 

Dirt and Ash by Kellie O'Dempsey


 

Dirt and Ash :: Fiona Fell and Kellie O'Dempsey
20 October – 2 December 2018 | Opening Night 19 October 2018
Gallery 1: The Margaret Olley Gallery, Lismore Regional Gallery | Lismore, Australia
Kellie O’Dempsey and Fiona Fell | Sound: Mick Dick

Kellie O’Dempsey and Fiona Fell perform Dirt & Ash, an immersive multimedia installation about the relationship between the artist and work of art. Mick Dick (sound artist) performing on opening night.

Exhibition was opened by Dr Barbara Bolt, Professor in Contemporary Arts and Culture, Victorian College of the Arts, Faculty of Fine Arts and Music.

Dirt and Ash displays a dynamic exchange between two mid-career artists. Fiona Fell and Kellie O'Dempsey explore the links between artists’ bodies, ceramic sculpture and performance drawing and video, inquiring into the nature of each other’s creative processes. As works are built, stacked, re-formed and incorporated through performance and live drawing the underbelly of their creative practices is exposed.  

Sharing the material relationships of clay and charcoal the shared experience of loss and survival is uncovered (in terms of life and their creative processes). Fiona Fell and Kellie O'Dempsey dramatise their perseverant search for presence, synchronising moments in the studio as performance.


Links: CatalogueLismore Gallery website

Exhibition Images

Performance

Videogragher: Steven Kwan

Exhibition Catalogue

Credit • Photographer: Darcy Grant • Videographer: Steven Kwan

 
 
 

The never-ending line by Kellie O'Dempsey


 

Kellie O'Dempsey: The never-ending line, NGA Play at The National Gallery of Australia, Canberra
Saturday 16 June – 28 October 2018
National Gallery of Australia | Canberra, Australia

Kellie O’Dempsey invites you into her living sketchbook, an immersive space of moving marks and dancing lines. Digital projections collide with traditional drawing in a series of dynamic and colourful experiences and creative opportunities. Contribute to the unique drawing journey as you follow the never ending line to shadow puppets, 3D drawing constructions and live animation before getting into the drawing rink for an immersive drawing experience. The never-ending line investigates drawing as a way of collaboration and transformation and features sound elements composed by Michael Dick.

Links: NGA website
Media: SMH Article City News Article

Exhibition

Performance

Videographer - Sixth Row

Videographer - Sixth Row

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Credits • Videographer - Sixth Row

 

Becoming Becoming by Kellie O'Dempsey


Photographer: Angela Little

 

Becoming Becoming
13 April – 20 May 2018 | Exhibition Opening 13 April 2018
Umbrella Studio Contemporary Arts | Townsville, Australia
Kellie O’Dempsey | Sound: Mick Dick | Dancers: Dance North Felix Samson and Samantha Hines

Becoming Becoming is a dynamic site generated installation that explores the links between the human body, making and transformation through improvisation. Both a live performance and as an exhibition, this work maps processes of collaboration and aliveness through live drawing and collaboration. With Sound artist Mick Dick, Dance North dancers Felix Sampson and Sam Hines the gallery space is expanded through live performance and digital projection. 

Attempting to entice all those who enter Becoming Becoming is a living collage Through the flow of line, sound, color and projection an immersive engaged environment evolved.

Links: Umbrella Studio event pageInvitation

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Image credit | Photographer: Angela Little

 

away and towards by Kellie O'Dempsey


Photographer: Louis Lim

Photographer: Louis Lim

 

away and towards
Valley Metro Shopping Centre • Fortitude Valley, Brisbane - Australia
6 – 7.30pm, 5 October 2017
Kellie O’Dempsey • Sound: Michael Dick • Performers: Marisa Georgiou and Saara Rappola

 
 

away and towards is a collaborative exchange between Kellie O’Dempsey, Michael Dick, Marisa Georgiou and Saara Rappola.

This work is an evolving and fluid encounter and the culmination of a research enquiry into performance drawing as a hybrid and cooperative practice.

Using light, sound, movement and space, the notion of arriving in the present is explored.

Converging at the intersection of the live event and improvisational exchange, away and towards searches for a destination that is always here.

 
 

Photographers: Robyn Mill and Andy Willis • Videographer: Andy Willis

 

Resistance Movement by Kellie O'Dempsey


 

Resistance Movement
Kentler International Drawing Space · Brooklyn, New York
January 15 – February 19 2017
Performance + Opening Reception: Sunday, January 15, 4 – 7pm with sounds by guests
Artists’ Talk and final performance: Saturday, January 28, 4pm with musical guest M.A.N.I.A.C. Empire
Ben Gerstein: Trombone · Mike Pride: Percussion · Jonathan Moritz: Saxophone

 
 

Kellie O’Dempsey (AUS) and Jennifer Wroblewski (NJ) re-imagine the gallery as dance hall, a gathering area where pleasure through movement is the only goal, and where the democratic practice of social dance renders all who enter equal and allied.

Resistance Movement aims to enable a shared experience. Together, artists and audience will bare witness to an evolving work of light, surface and mark. Marks will be analog and digital, made on paper, and projected into the space. We will respond to music, sound, and one another. Performing a dialogue of drawing and sound, in an organized and considered improvisational environment, lines and form will move on, over and through opaque and transparent surfaces. The artists will move around and with the audience, in a drawn game of call and response. Drawing as a record of human movement.

What will remain will be a mapping of performance and cultural exchange. For those present in this Getsumkunstwork or whole artwork, they participate in an unfolding collaboration that is both experiential and inclusive.

Resistance Movement is a 2017 rejoinder to the 1970’s Discotheque, the Cabaret/Kabarret of France and Germany prior to WWII, the rave culture of the 1990s. Underground gathering in all of its forms. Dance as protest. The dance hall as a safe haven.

Drawing is the outcome of the friction of the mark-making element on the surface. Resistance and movement are the requirements of mark.

Resistance Movement catalogue and Essay by Charlotta Kotik can be found here.

 
 

Photographer · Silvia Forni | Videographer: Gus Frias

 

LIGHTENING FIELD by Kellie O'Dempsey


Photographer: Naomi O'Reilly

Photographer: Naomi O'Reilly

 

Lightening Field
BARI (Brisbane Artist Run Initiative) Festival • Warehouse, Teneriffe, Brisbane, Australia
7pm - 10pm, Wednesday 19 October 2016

 
 

BODY-SONIC-DRAWING
PERFORMANCE EXPERIMENT

MEGAN JANET WHITE-LUKE JAANISTE-KELLIE O’DEMPSEY

LIGHTENING FIELD brings together, for the first time, the diverse and fluctuating practices of performance drawer Kellie O’Dempsey, installation butoh artist Megan Janet White and sonic artist Luke Jaaniste in a new collaborative work.

The Laundry Artspace is proud to present the premiere performance of LIGHTENING FIELD as part of BARI Festival, within a disheveled warehouse space in Teneriffe, amongst the grime of disused floors, the grift of recent graffiti, and the darkness of night.

DOWNLOAD THE EXHIBITION CATALOGUE
with essays by Marisa Georgiou and Aishla Manning + Naomi O’Reilly

Kellie O’Dempsey’s drawing practice is hybrid and diverse, incorporating projection, video, collage, architectural space, gestural line, site-specific installation and live art, through which she explores transformational processes through improvisation and happenstance. The performance drawing works invite the audience to engage directly with the visceral process of making. O’Dempsey’s public and private productions aims to enable an inclusive form of cultural interaction via performance and play.

Megan Janet White and Luke Jaaniste are the co-directors of Brisbane-based ensemble Theatre of Thunder. TOT intertwines butoh dance with immersive sound and atmospheric landscape. Raw and ambient sounds propel the body into a state of poetic rupture and transmutation, whilst illuminated smoke-bubble storms make palpable the fluid dynamic between the sound, body, architecture and audience.

This trio of Brisbane artists has half a century of practice between them, and have been featured in major festivals, exhibitions and workshops across Australia and overseas, including Asia Pacific Triennial QAGOMA, Museum of Contemporary Art, White Night Melbourne, MONA FOMO, Draw to Perform Symposium London, dLux, Art After Dark 18 Biennale of Sydney, Prague Quadrennial of Performance and Design, Perspectives on Hijikata Research Collective Japan and hosting international butoh master Kan Katsura. We look forward to experiencing the results of their hothouse fusion.

 
 

Credit: Photographs - Aishla Manning & Naomi O'Reilly

 

NRC Silver Jubilee Projections by Kellie O'Dempsey


 

Silver Jubilee - NRCM, Lismore
NRC Silver Jubilee Event • Northern Rivers Conservatorium of Music, Lismore NSW, Commissioned by the Lismore Regional Gallery
15 October 2016

 
 


A creative development & presentation program celebrating the Northern Rivers Conservatorium Silver Jubilee and the stories connected to its historic building.

NRC alumni & teachers, local musicians and community with guest conductor Richard Gill and visual artist Kellie O’Dempsey (presented by Lismore Regional Gallery) exhibited a major multi-artform performance in the grounds of the Northern Rivers Conservatorium 13 – 15 October 2016. The building which houses the Northern Rivers Conservatorium has been in educational use for over 100 years and has great significance to generations of Lismore families.

NRC Silver Jubilee partnered with RealArtWorks “The Building(s) Still Lives” to present THE HOMECOMING, providing an opportunity for the whole community to participate in a free multi-artform event that is about their stories.

Photography by Natsky

 
 

Photographer · Natsky

 

Under Arena - Drawing International Brisbane by Kellie O'Dempsey


 

Under Arena
Exhibition at Spring Hills Reservoir as a part of the Drawing International Brisbane (DIB) Symposium 2015: Ego Artefact, Arena
Spring Hill Reservoirs, Brisbane
30 September, 2015

Artists: Kellie O’Dempsey | Bill Platz | Zoe Porter | Flatline (Todd Fuller And Carl Sciberras) | Velvet Persu

A group of artists engage with performance and drawing to respond to a unique Brisbane landmark. The subterranean Spring Hill Reservoirs and the Old Windmill present a theatrical environment in which live drawing, sound, video and dance coalesce.

Kellie O'Dempsey and Michael Dick, installation view of  Under Arena  2015. Photographer Matthew Loyd

Kellie O'Dempsey and Michael Dick, installation view of Under Arena 2015. Photographer Matthew Loyd

Kellie O’Dempsey: Artist + Curator of the performance art event Under Arena. Opening the Drawing International Brisbane Symposium 2015, Under Arena was an initiative of the Griffith Centre For Creative Arts Research.

Auspiced by Griffith University, Queensland College of Art through the assistance of The National Trust and Brisbane City Council, Under Arena was representative of the artistic interdisciplinary dialects involved in the creation of a lexicon of contemporary performative practise. Michael Dick: Sound artist working in direct response to the action of Kellie O’Dempsey. Michael provides the synaesthetic vehicle from which the art work resonates toward a palpable liminality. You may also notice throughout the soundscape the vocals of performance artist Velvet Pesu.

Taking place on the 30 September 2015 at the historic Spring Hill Reservoir, this conveyance is a subjectively inflected inference of the artistic intent of Kellie O'Dempsey and Michael Dick.

Exhibition images – installation view:

 
 

Documentation • Emma Wright, Simon Marsh, Matthew Loyd

 

Bald, Bald Head and Other Stories by Kellie O'Dempsey


 

Bald, Bald Head and Other Stories
The Hold Artspace
27 May – 6 June 2015

Bald, Bald, Head and other stories explores the mythical and romantic relationship between the artist, studio and the muse. Investigating the notions of the public and the private. Kellie O'Dempsey and sound designer Michael Dick will transform and manipulate the gallery space through a playful installation of drawing, video and performance. 

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Photographer 

 

JADA Performance by Kellie O'Dempsey


 

JADA (Jacaranda Acquisitive Drawing Award) Drawing Symposium

Grafton Regional Gallery • NSW
Saturday 18 & Sunday 19 October 2014

Artists: Todd Fuller, Kellie O’Dempsey and Mick Dick

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Drawing takes new forms in the digital age. Brisbane based Kellie O’Demspey and Sydney based Todd Fuller unite for a live drawing performance. Merging digital drawing through the tag-tool application, with traditional drawing and animation; the pair generate a multi-layered 4 dimensional ephemeral artwork.

Sound by Michael Dick.

Photographer · Todd Fuller